Open House 2019
Open House 2019
Open House 2019
Open House 2019
Open House 2019
An annual party put on by FCB, hosting the talent and managment from studios and post production houses across the Chicagoland area.
An annual party put on by FCB, hosting the talent and managment from studios and post production houses across the Chicagoland area.
An annual party put on by FCB, hosting the talent and managment from studios and post production houses across the Chicagoland area.
An annual party put on by FCB, hosting the talent and managment from studios and post production houses across the Chicagoland area.
An annual party put on by FCB, hosting the talent and managment from studios and post production houses across the Chicagoland area.
Year
2019
Year
2019
Year
2019
Year
2019
Year
2019
Role
Animation
Design
Direction
Role
Animation
Design
Direction
Role
Animation
Design
Direction
Role
Animation
Design
Direction
Credits
Design:
Stephanie Falaschetti
Jack Fleming
Photography:
Steven Piper
Credits
Design:
Stephanie Falaschetti
Jack Fleming
Photography:
Steven Piper
Credits
Design:
Stephanie Falaschetti
Jack Fleming
Photography:
Steven Piper
Agency
FCB Chicago
Development
Development
Development
Development
Development
Leading up to FCB's 6th annual Open House party there were 900+ RSVPs and over 1,500 attendees, including FCB employees. This audience was larger than anticipated and I was tasked with working with the experiential department on concepting and animating an identity for the event.
It is widely known within the advertising world that one must possess the ability to quickly come up with and iterate on imaginative solutions to problems. It's a common trait among all of us in the creative industry to want to make or create - it's almost a hidden 6th sense, hence the theme of the party.
As the function is hosted at FCB's downtown Chicago office in the Hancock building, it was important to make use of all the TVs and monitors found in the edit bays and lounge areas. My main task consisted of designing and animating the content that was displayed on all of these screens, giving life to the quirky characters representing each sense.
Leading up to FCB's 6th annual Open House party there were 900+ RSVPs and over 1,500 attendees, including FCB employees. This audience was larger than anticipated and I was tasked with working with the experiential department on concepting and animating an identity for the event.
It is widely known within the advertising world that one must possess the ability to quickly come up with and iterate on imaginative solutions to problems. It's a common trait among all of us in the creative industry to want to make or create - it's almost a hidden 6th sense, hence the theme of the party.
As the function is hosted at FCB's downtown Chicago office in the Hancock building, it was important to make use of all the TVs and monitors found in the edit bays and lounge areas. My main task consisted of designing and animating the content that was displayed on all of these screens, giving life to the quirky characters representing each sense.
Leading up to FCB's 6th annual Open House party there were 900+ RSVPs and over 1,500 attendees, including FCB employees. This audience was larger than anticipated and I was tasked with working with the experiential department on concepting and animating an identity for the event.
It is widely known within the advertising world that one must possess the ability to quickly come up with and iterate on imaginative solutions to problems. It's a common trait among all of us in the creative industry to want to make or create - it's almost a hidden 6th sense, hence the theme of the party.
As the function is hosted at FCB's downtown Chicago office in the Hancock building, it was important to make use of all the TVs and monitors found in the edit bays and lounge areas. My main task consisted of designing and animating the content that was displayed on all of these screens, giving life to the quirky characters representing each sense.
Leading up to FCB's 6th annual Open House party there were 900+ RSVPs and over 1,500 attendees, including FCB employees. This audience was larger than anticipated and I was tasked with working with the experiential department on concepting and animating an identity for the event.
It is widely known within the advertising world that one must possess the ability to quickly come up with and iterate on imaginative solutions to problems. It's a common trait among all of us in the creative industry to want to make or create - it's almost a hidden 6th sense, hence the theme of the party.
As the function is hosted at FCB's downtown Chicago office in the Hancock building, it was important to make use of all the TVs and monitors found in the edit bays and lounge areas. My main task consisted of designing and animating the content that was displayed on all of these screens, giving life to the quirky characters representing each sense.
Leading up to FCB's 6th annual Open House party there were 900+ RSVPs and over 1,500 attendees, including FCB employees. This audience was larger than anticipated and I was tasked with working with the experiential department on concepting and animating an identity for the event.
It is widely known within the advertising world that one must possess the ability to quickly come up with and iterate on imaginative solutions to problems. It's a common trait among all of us in the creative industry to want to make or create - it's almost a hidden 6th sense, hence the theme of the party.
As the function is hosted at FCB's downtown Chicago office in the Hancock building, it was important to make use of all the TVs and monitors found in the edit bays and lounge areas. My main task consisted of designing and animating the content that was displayed on all of these screens, giving life to the quirky characters representing each sense.
Sensory rooms
Sensory rooms
Sensory rooms
Sensory rooms
Sensory rooms
I also animated content for a series of "instagrammable" rooms that encouraged visitors to hashtag and post about the event. Each room was appropriately themed around one of the human senses.
One of which was titled "Club Slushy", for taste. The room featured a series of slushy machines, a disco ball, and a mashup of retro, VHS artifact ridden, 80's nightclub footage.
The content was intended to mimic the memphis-design style that was commonplace throughout the 80's and 90's.
I also animated content for a series of "instagrammable" rooms that encouraged visitors to hashtag and post about the event. Each room was appropriately themed around one of the human senses.
One of which was titled "Club Slushy", for taste. The room featured a series of slushy machines, a disco ball, and a mashup of retro, VHS artifact ridden, 80's nightclub footage.
The content was intended to mimic the memphis-design style that was commonplace throughout the 80's and 90's.
I also animated content for a series of "instagrammable" rooms that encouraged visitors to hashtag and post about the event. Each room was appropriately themed around one of the human senses.
One of which was titled "Club Slushy", for taste. The room featured a series of slushy machines, a disco ball, and a mashup of retro, VHS artifact ridden, 80's nightclub footage.
The content was intended to mimic the memphis-design style that was commonplace throughout the 80's and 90's.
I also animated content for a series of "instagrammable" rooms that encouraged visitors to hashtag and post about the event. Each room was appropriately themed around one of the human senses.
One of which was titled "Club Slushy", for taste. The room featured a series of slushy machines, a disco ball, and a mashup of retro, VHS artifact ridden, 80's nightclub footage.
The content was intended to mimic the memphis-design style that was commonplace throughout the 80's and 90's.
I also animated content for a series of "instagrammable" rooms that encouraged visitors to hashtag and post about the event. Each room was appropriately themed around one of the human senses.
One of which was titled "Club Slushy", for taste. The room featured a series of slushy machines, a disco ball, and a mashup of retro, VHS artifact ridden, 80's nightclub footage.
The content was intended to mimic the memphis-design style that was commonplace throughout the 80's and 90's.
More work
More work
More work
More work
More work
